The women working in the export processing industry in the 60’s Taiwan produced the best quality goods to sell overseas, and only overseas. The best products made with most care and investment in Taiwan now are still destined to sell abroad.



Sounds of the destruction and the making of textiles are recorded in live, looped mechanically, to make the industry tangible with audio. The performers weave in the space, connected by the fluctuating thread tangled around their bodies, continuously negotiating for chances to move, to turn, to untangle. 

This performance/ performative installation is inspired by the textile processing industry in the 60s in Taiwan. It investigates the conflicting and mazing situation of a diaspora artist. 

People of my generation inherited the fate of those products in tax-free zones. Taiwan has gradually become a factory where education organisations process young people, making them suitable for higher education overseas, much similar to mass-producing.


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